“Don’t abuse him; though I dare say you have something to complain of....”
At this moment in marched Aglaya, as calm and collected as could be. She gave the prince a ceremonious bow and solemnly took up a prominent position near the big round table. She looked at the prince questioningly.
The evidence of the porter went further than anything else towards the success of Lebedeff in gaining the assistance of the police. He declared that he had seen Rogojin return to the house last night, accompanied by a friend, and that both had gone upstairs very secretly and cautiously. After this there was no hesitation about breaking open the door, since it could not be got open in any other way.
This time everyone laughed at her, her sisters, Prince S., Prince Muishkin (though he himself had flushed for some reason), and Colia. Aglaya was dreadfully indignant, and looked twice as pretty in her wrath.
“Prince,” he said, with feeling, “I was a blackguard. Forgive me!” His face gave evidence of suffering. The prince was considerably amazed, and did not reply at once. “Oh, come, forgive me, forgive me!” Gania insisted, rather impatiently. “If you like, I’ll kiss your hand. There!”
“My dear, I am quite ready; naturally... the prince.” “Yes, you.”“Yes--yes--yes--” The prince jumped up in extraordinary agitation. “I know, I know, I’ve read of that sort of thing--it’s internal haemorrhage, you know. Sometimes there isn’t a drop--if the blow goes straight to the heart--”
| But Prince S. was laughing now, too, so was Evgenie Pavlovitch, so was Colia, and so was the prince himself, who caught the infection as he looked round radiantly upon the others. |
| “If you wished to preserve your good name, why did you not give up your--your ‘guardian,’ Totski, without all that theatrical posturing?” said Aglaya, suddenly a propos of nothing. |
| Not only was there no trace of her former irony, of her old hatred and enmity, and of that dreadful laughter, the very recollection of which sent a cold chill down Totski’s back to this very day; but she seemed charmed and really glad to have the opportunity of talking seriously with him for once in a way. She confessed that she had long wished to have a frank and free conversation and to ask for friendly advice, but that pride had hitherto prevented her; now, however, that the ice was broken, nothing could be more welcome to her than this opportunity. |
| “Yes, but what am I to do, Lebedeff? What steps am I to take? I am ready.” |
“What! Pleased with all that nonsense! Why, cannot you see that they are all infatuated with pride and vanity?”
| With trembling fingers he broke the seal and drew out several sheets of paper, smoothed them out before him, and began sorting them. |
| The impatience of Lizabetha Prokofievna “to get things settled” explained a good deal, as well as the anxiety of both parents for the happiness of their beloved daughter. Besides, Princess Bielokonski was going away soon, and they hoped that she would take an interest in the prince. They were anxious that he should enter society under the auspices of this lady, whose patronage was the best of recommendations for any young man. |
“Antip Burdovsky,” stuttered the son of Pavlicheff.
“I know nothing about it.”| “Is it Rogojin?” |
| “It was impossible for me to go on living when life was full of such detestable, strange, tormenting forms. This ghost had humiliated me;--nor could I bear to be subordinate to that dark, horrible force which was embodied in the form of the loathsome insect. It was only towards evening, when I had quite made up my mind on this point, that I began to feel easier.” |
“Yes. Can’t one cut pages with a garden knife?”
“You should pass us by and forgive us our happiness,” said the prince in a low voice. “I say A. N. B., and so it shall be!” cried Aglaya, irritably. “Anyway, the ‘poor knight’ did not care what his lady was, or what she did. He had chosen his ideal, and he was bound to serve her, and break lances for her, and acknowledge her as the ideal of pure Beauty, whatever she might say or do afterwards. If she had taken to stealing, he would have championed her just the same. I think the poet desired to embody in this one picture the whole spirit of medieval chivalry and the platonic love of a pure and high-souled knight. Of course it’s all an ideal, and in the ‘poor knight’ that spirit reached the utmost limit of asceticism. He is a Don Quixote, only serious and not comical. I used not to understand him, and laughed at him, but now I love the ‘poor knight,’ and respect his actions.”| “And why not? Why, the last time I simply told straight off about how I stole three roubles.” |
The prince begged him to take a chair.
“And how are you to know that one isn’t lying? And if one lies the whole point of the game is lost,” said Gania.
“What an extraordinary idea!” said the general.