“What delightful writing materials you have here, such a lot of pencils and things, and what beautiful paper! It’s a charming room altogether. I know that picture, it’s a Swiss view. I’m sure the artist painted it from nature, and that I have seen the very place--”
“We are neighbours, so will you be so kind as to come over one day and explain the Apocalypse to me?” said Aglaya. “I do not understand it in the least.”
“So, so--the son of my old, I may say my childhood’s friend, Nicolai Petrovitch.”
“Well, well! Enough! You’ve pitied me, and that’s all that good manners exact. I forgot, how are you?”
“I seemed to imagine you exactly as you are--I seemed to have seen you somewhere.”
“Well, really, you know”--(silence)--“of course, you know all this is very strange, if true, which I cannot deny; but”--(silence).--“But, on the other hand, if one looks things in the face, you know--upon my honour, the prince is a rare good fellow--and--and--and--well, his name, you know--your family name--all this looks well, and perpetuates the name and title and all that--which at this moment is not standing so high as it might--from one point of view--don’t you know? The world, the world is the world, of course--and people will talk--and--and--the prince has property, you know--if it is not very large--and then he--he--” (Continued silence, and collapse of the general.)
Not finding the prince on his death-bed, Lizabetha Prokofievna had been misled by his appearance to think him much better than he was. But his recent illness, the painful memories attached to it, the fatigue of this evening, the incident with “Pavlicheff’s son,” and now this scene with Hippolyte, had all so worked on his oversensitive nature that he was now almost in a fever. Moreover, a new trouble, almost a fear, showed itself in his eyes; he watched Hippolyte anxiously as if expecting something further.
The prince did not exactly pant for breath, but he “seemed almost to _choke_ out of pure simplicity and goodness of heart,” as Adelaida expressed it, on talking the party over with her fiance, the Prince S., next morning.
“Final explanation: I die, not in the least because I am unable to support these next three weeks. Oh no, I should find strength enough, and if I wished it I could obtain consolation from the thought of the injury that is done me. But I am not a French poet, and I do not desire such consolation. And finally, nature has so limited my capacity for work or activity of any kind, in allotting me but three weeks of time, that suicide is about the only thing left that I can begin and end in the time of my own free will.

“Pavlicheff was a man of bright intellect and a good Christian, a sincere Christian,” said the prince, suddenly. “How could he possibly embrace a faith which is unchristian? Roman Catholicism is, so to speak, simply the same thing as unchristianity,” he added with flashing eyes, which seemed to take in everybody in the room.

“But do you know what I have been thinking out during this last week, Parfen? I’ll tell you. What if she loves you now better than anyone? And what if she torments you _because_ she loves you, and in proportion to her love for you, so she torments you the more? She won’t tell you this, of course; you must have eyes to see. Why do you suppose she consents to marry you? She must have a reason, and that reason she will tell you some day. Some women desire the kind of love you give her, and she is probably one of these. Your love and your wild nature impress her. Do you know that a woman is capable of driving a man crazy almost, with her cruelties and mockeries, and feels not one single pang of regret, because she looks at him and says to herself, ‘There! I’ll torment this man nearly into his grave, and then, oh! how I’ll compensate him for it all with my love!’”
“Chaos and scandal are to be found everywhere, madame,” remarked Doktorenko, who was considerably put out of countenance.

“What an idea! Of course not. And what are you blushing for again? And there comes that frown once more! You’ve taken to looking too gloomy sometimes, Aglaya, much more than you used to. I know why it is.”

He lived at Ptitsin’s, and openly showed contempt for the latter, though he always listened to his advice, and was sensible enough to ask for it when he wanted it. Gavrila Ardalionovitch was angry with Ptitsin because the latter did not care to become a Rothschild. “If you are to be a Jew,” he said, “do it properly--squeeze people right and left, show some character; be the King of the Jews while you are about it.”
“I dare say he only took his hat off out of fear, as it were, to the son of his creditor; for he always owed my mother money. I thought of having an explanation with him, but I knew that if I did, he would begin to apologize in a minute or two, so I decided to let him alone.

“Come--you haven’t told us much!” said Aglaya, after waiting some five seconds. “Very well, I am ready to drop the hedgehog, if you like; but I am anxious to be able to clear up this accumulation of misunderstandings. Allow me to ask you, prince,--I wish to hear from you, personally--are you making me an offer, or not?”

Little by little he became very happy indeed. All his late anxieties and apprehensions (after his conversation with Lebedeff) now appeared like so many bad dreams--impossible, and even laughable. “What? Gavrila Ardalionovitch? Oh no; he belongs to one of the companies. Look here, at all events put your bundle down, here.”
He reappeared in five minutes as he had said. The prince was waiting for him.
“And now you’ll have a million roubles, at least--goodness gracious me!” exclaimed the clerk, rubbing his hands.

“Oh! _do_ teach us,” laughed Adelaida.

“What on earth will she say to me, I wonder?” he thought to himself.
The prince took down the chain and opened the door. He started back in amazement--for there stood Nastasia Philipovna. He knew her at once from her photograph. Her eyes blazed with anger as she looked at him. She quickly pushed by him into the hall, shouldering him out of her way, and said, furiously, as she threw off her fur cloak:

“Hadn’t you better--better--take a nap?” murmured the stupefied Ptitsin.

But the puzzle and mystery of Aglaya was not yet over for the evening. The last exhibition fell to the lot of the prince alone. When they had proceeded some hundred paces or so from the house, Aglaya said to her obstinately silent cavalier in a quick half-whisper:
“I see what you are driving at,” said Nastasia Philipovna. “You imply that the prince is after the seventy-five thousand roubles--I quite understand you. Mr. Totski, I forgot to say, ‘Take your seventy-five thousand roubles’--I don’t want them. I let you go free for nothing--take your freedom! You must need it. Nine years and three months’ captivity is enough for anybody. Tomorrow I shall start afresh--today I am a free agent for the first time in my life.
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
“_Au revoir!_ I shall amuse them all with this story tomorrow!”
“I don’t quite like it,” replied the prince.
“And how do you know that I am ‘so happy’?”

“I do not pay much attention to that opinion,” continued the young man calmly. “Colia is very fond of you, but he,” pointing to Lebedeff, “is flattering you. I can assure you I have no intention of flattering you, or anyone else, but at least you have some common-sense. Well, will you judge between us? Shall we ask the prince to act as arbitrator?” he went on, addressing his uncle.

“Well, what am I to do? What do you advise me? I cannot go on receiving these letters, you know.”