It was now Totski’s turn, and his story was awaited with great curiosity--while all eyes turned on Nastasia Philipovna, as though anticipating that his revelation must be connected somehow with her. Nastasia, during the whole of his story, pulled at the lace trimming of her sleeve, and never once glanced at the speaker. Totski was a handsome man, rather stout, with a very polite and dignified manner. He was always well dressed, and his linen was exquisite. He had plump white hands, and wore a magnificent diamond ring on one finger.
“I don’t think they often kill each other at duels.”
| “Oh, I’m a mean wretch--a mean wretch!” he said, approaching the prince once more, and beating his breast, with tears in his eyes. |
| “I don’t love you, Lef Nicolaievitch, and, therefore, what would be the use of my coming to see you? You are just like a child--you want a plaything, and it must be taken out and given you--and then you don’t know how to work it. You are simply repeating all you said in your letter, and what’s the use? Of course I believe every word you say, and I know perfectly well that you neither did or ever can deceive me in any way, and yet, I don’t love you. You write that you’ve forgotten everything, and only remember your brother Parfen, with whom you exchanged crosses, and that you don’t remember anything about the Rogojin who aimed a knife at your throat. What do you know about my feelings, eh?” (Rogojin laughed disagreeably.) “Here you are holding out your brotherly forgiveness to me for a thing that I have perhaps never repented of in the slightest degree. I did not think of it again all that evening; all my thoughts were centred on something else--” |
| “You have no right--you have no right!” cried Burdovsky. |
It was “heads.”
“After--it was about twelve o’clock.”
| “Then you think Aglaya Ivanovna herself intends to go to Nastasia Philipovna’s tonight?” he asked, and bright hectic spots came out on his cheeks and forehead. |
“Out of obstinacy” shouted Gania. “You haven’t married, either, thanks to your obstinacy. Oh, you needn’t frown at me, Varvara! You can go at once for all I care; I am sick enough of your company. What, you are going to leave us are you, too?” he cried, turning to the prince, who was rising from his chair.
“Hadn’t you better say corkscrew?” said Hippolyte.
“What do you mean by ‘arrangements’?”“I’ll dictate to you,” said Aglaya, coming up to the table. “Now then, are you ready? Write, ‘I never condescend to bargain!’ Now put your name and the date. Let me see it.”
“You were right, Totski,” said Nastasia, “it is a dull game and a stupid one. I’ll just tell my story, as I promised, and then we’ll play cards.”| It was impossible to avoid noticing them, however, in reality, for they made their presence only too conspicuous by laughing and talking loudly. It was to be supposed that some of them were more than half drunk, although they were well enough dressed, some even particularly well. There were one or two, however, who were very strange-looking creatures, with flushed faces and extraordinary clothes; some were military men; not all were quite young; one or two were middle-aged gentlemen of decidedly disagreeable appearance, men who are avoided in society like the plague, decked out in large gold studs and rings, and magnificently “got up,” generally. |
“Kapiton didn’t exist either!” persisted Gania, maliciously.
| “Well, perhaps it was a hallucination, I don’t know,” said Parfen. |
| “But who else _could_ it be, my very dear prince?” repeated Lebedeff, as sweet as sugar again. “If you don’t wish me to suspect Mr. Burdovsky?” |
“Can’t you even load a pistol?”
| “Yesterday morning,” he replied, “we had an interview which we all gave our word of honour to keep secret.” |
“I don’t quite agree with you that your father is out of his mind,” he observed, quietly. “On the contrary, I cannot help thinking he has been less demented of late. Don’t you think so? He has grown so cunning and careful, and weighs his words so deliberately; he spoke to me about that Kapiton fellow with an object, you know! Just fancy--he wanted me to--”
“At home? Oh, I can do as I like there, of course; only my father will make a fool of himself, as usual. He is rapidly becoming a general nuisance. I don’t ever talk to him now, but I hold him in check, safe enough. I swear if it had not been for my mother, I should have shown him the way out, long ago. My mother is always crying, of course, and my sister sulks. I had to tell them at last that I intended to be master of my own destiny, and that I expect to be obeyed at home. At least, I gave my sister to understand as much, and my mother was present.”
“Ah! now you begin to moralize! I know that I am only a child, very well,” replied Gania impatiently. “That is proved by my having this conversation with you. It is not for money only, prince, that I am rushing into this affair,” he continued, hardly master of his words, so closely had his vanity been touched. “If I reckoned on that I should certainly be deceived, for I am still too weak in mind and character. I am obeying a passion, an impulse perhaps, because I have but one aim, one that overmasters all else. You imagine that once I am in possession of these seventy-five thousand roubles, I shall rush to buy a carriage... No, I shall go on wearing the old overcoat I have worn for three years, and I shall give up my club. I shall follow the example of men who have made their fortunes. When Ptitsin was seventeen he slept in the street, he sold pen-knives, and began with a copeck; now he has sixty thousand roubles, but to get them, what has he not done? Well, I shall be spared such a hard beginning, and shall start with a little capital. In fifteen years people will say, ‘Look, that’s Ivolgin, the king of the Jews!’ You say that I have no originality. Now mark this, prince--there is nothing so offensive to a man of our time and race than to be told that he is wanting in originality, that he is weak in character, has no particular talent, and is, in short, an ordinary person. You have not even done me the honour of looking upon me as a rogue. Do you know, I could have knocked you down for that just now! You wounded me more cruelly than Epanchin, who thinks me capable of selling him my wife! Observe, it was a perfectly gratuitous idea on his part, seeing there has never been any discussion of it between us! This has exasperated me, and I am determined to make a fortune! I will do it! Once I am rich, I shall be a genius, an extremely original man. One of the vilest and most hateful things connected with money is that it can buy even talent; and will do so as long as the world lasts. You will say that this is childish--or romantic. Well, that will be all the better for me, but the thing shall be done. I will carry it through. He laughs most, who laughs last. Why does Epanchin insult me? Simply because, socially, I am a nobody. However, enough for the present. Colia has put his nose in to tell us dinner is ready, twice. I’m dining out. I shall come and talk to you now and then; you shall be comfortable enough with us. They are sure to make you one of the family. I think you and I will either be great friends or enemies. Look here now, supposing I had kissed your hand just now, as I offered to do in all sincerity, should I have hated you for it afterwards?”“So this is Nastasia Philipovna,” he said, looking attentively and curiously at the portrait. “How wonderfully beautiful!” he immediately added, with warmth. The picture was certainly that of an unusually lovely woman. She was photographed in a black silk dress of simple design, her hair was evidently dark and plainly arranged, her eyes were deep and thoughtful, the expression of her face passionate, but proud. She was rather thin, perhaps, and a little pale. Both Gania and the general gazed at the prince in amazement.
| “And now it is you who have brought them together again?” |
| “I think you disturb yourself too much.” |
“When I am with you you trust me; but as soon as my back is turned you suspect me,” said the prince, smiling, and trying to hide his emotion.
| Among all the incidents of the day, one recurred to his mind to the exclusion of the rest; although now that his self-control was regained, and he was no longer under the influence of a nightmare, he was able to think of it calmly. It concerned the knife on Rogojin’s table. “Why should not Rogojin have as many knives on his table as he chooses?” thought the prince, wondering at his suspicions, as he had done when he found himself looking into the cutler’s window. “What could it have to do with me?” he said to himself again, and stopped as if rooted to the ground by a kind of paralysis of limb such as attacks people under the stress of some humiliating recollection. |
He fell asleep on the bench; but his mental disquiet continued through his slumbers.
| “Sit down,” said Rogojin; “let’s rest a bit.” There was silence for a moment. |
| “Aglaya, don’t! This is unfair,” cried the prince, deeply distressed. |
It seemed clear to the prince that Aglaya forgave him, and that he might go there again this very evening; and in his eyes that was not only the main thing, but everything in the world.
Yes, all this must be put straight and above-board, there must be no more passionate renouncements, such as Rogojin’s. It must all be clear as day. Cannot Rogojin’s soul bear the light? He said he did not love her with sympathy and pity; true, he added that “your pity is greater than my love,” but he was not quite fair on himself there. Kin! Rogojin reading a book--wasn’t that sympathy beginning? Did it not show that he comprehended his relations with her? And his story of waiting day and night for her forgiveness? That didn’t look quite like passion alone. “Oh, indeed, it is true then! _You could actually talk about me with her_; and--and how could you have been fond of me when you had only seen me once?”| Her father, mother, and sisters came into the room and were much struck with the last words, which they just caught as they entered--“absurdity which of course meant nothing”--and still more so with the emphasis with which Aglaya had spoken. |
| “Norma backed slowly and carefully away from the brute, which followed her, creeping deliberately after her as though it intended to make a sudden dart and sting her. |
“She opened the parcel, looked at the earrings, and laughed.
| “Dear me! How you have gone into all the refinements and details of the question! Why, my dear fellow, you are not a caligraphist, you are an artist! Eh, Gania?” |
He had gone to the front door, and was kept waiting a long while before anyone came. At last the door of old Mrs. Rogojin’s flat was opened, and an aged servant appeared.
“Asleep?” whispered the prince.
| Gania was evidently much alarmed at the idea that the prince would not consent to take his note, and he looked at him now with an expression of absolute entreaty. |
“Nor do I! They always try to bury me underground when there’s anything going on; they don’t seem to reflect that it is unpleasant to a man to be treated so! I won’t stand it! We have just had a terrible scene!--mind, I speak to you as I would to my own son! Aglaya laughs at her mother. Her sisters guessed about Evgenie having proposed and been rejected, and told Lizabetha.
| “Ti-Ti-Timofey.” |
| “She gave it me just now, when I called in to congratulate her. I asked her for it long ago. I don’t know whether she meant it for a hint that I had come empty-handed, without a present for her birthday, or what,” added Gania, with an unpleasant smile. |
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
For some reason or other, the sisters liked the idea of the prince. They did not even consider it very strange; in a word, they might be expected at any moment to range themselves strongly on his side. But both of them decided to say nothing either way. It had always been noticed in the family that the stronger Mrs. Epanchin’s opposition was to any project, the nearer she was, in reality, to giving in.“You know of course why I requested this meeting?” she said at last, quietly, and pausing twice in the delivery of this very short sentence.
| Feeling that his question was somewhat gauche, he smiled angrily. Then as if vexed that he could not ever express what he really meant, he said irritably, in a loud voice: |
The prince had, of course, at once received him, and had plunged into a conversation about Hippolyte. He had given the doctor an account of Hippolyte’s attempted suicide; and had proceeded thereafter to talk of his own malady,--of Switzerland, of Schneider, and so on; and so deeply was the old man interested by the prince’s conversation and his description of Schneider’s system, that he sat on for two hours.
| At this there was a dreadful noise; Lebedeff danced about in his excitement; Ferdishenko prepared to go for the police; Gania frantically insisted that it was all nonsense, “for nobody was going to shoot themselves.” Evgenie Pavlovitch said nothing. |